The compact and portable design make the EVO perfect for musicians on the move. Whether you’re recording vocals for your latest song or podcasting with friends on the go, the EVO is the perfect choice. The EVO interface comes complete with a professional software bundle including premium-grade plugins to get you started straight out of the box. It even features Cubase LE - a streamlined version of the award-winning digital audio workstation providing everything you need to make and record music. Features In every Expert review we ask three of our team of contributors to give their first impressions of the product. We ask them to give the product a hit or miss, based on factors such as originality, innovation, usefulness, quality and value for money. For each hit the products gets an Expert Award. One hit and it gets our bronze award, two hits gets silver and for a hit from all three of the panel it gets a coveted gold award. Of course if there’s three misses, there’s no award. Luke Goddard On EVO 16 The much touted Smartgain feature has not previously interested me on their smaller interfaces for a simple guitar or vocal, but on an 8-channel device, for setting multiple levels like with a drum kit or small ensemble, it makes more sense. I am yet to test it but I assume/hope it leaves enough headroom on super-fast HF sources like ride cymbals and tambourines. For musicians who don’t want to faff around doing boring tech stuff, this can get you sorted in seconds, and you always have the option to manually tweak anything if you choose. Want to grow your studio business? Invest in Audient. – Audient on Audient keeps Lito’s Place on Top of Film Work

Audient EVO16 with EVO16 Rackmount Kit - Andertons Music Co. Audient EVO16 with EVO16 Rackmount Kit - Andertons Music Co.

I’m a big fan of Audient gear. I own a Gen 1 iD14 and I used to teach at a college that had both an ASP8024 and an ASP4816. They all work and sound great. Take that as a brand endorsement before we even start. The EVO 16 is expected to ship sometime in June and retail for EUR 469 (VAT included). Learn more about the EVO 16Collection and delivery costs are included for the first 2 years in the event of an item becoming faulty Audient started out as manufacturers of large‑ and medium‑format analogue mixing consoles, drawing on the immense experience of designer Dave Dearden. When they moved into making audio interfaces, one of the key selling points was their ability to apply this analogue design expertise in the new sector. Audient’s ID range thus combines ergonomic desktop form factors with mic preamps and other circuit designs closely related to those used in their flagship ASP consoles.

Audient EVO 16 review | MusicRadar

The Production Expert team are first and foremost professionals working daily in music and post-production. Our content is informed by a team who are practitioners, meaning our tutorials are devised to help those working in real-world scenarios.Featuring 8 award winning EVO preamps alongside Audient's advanced converter technology ensures your recordings sound the best they possibly can. Intelligent mic preamps set their own levels with Smartgain and make use of the new, ground-breaking Motion UI control system. Key Features The total gain range on the mic preamps is 58dB, and the alignment is quite nicely judged. At one end of the scale, you can get a healthy level from close‑miked speech with a moving‑coil dynamic mic, and on the other, you can record drums without clipping. Equivalent Input Noise is less than ‑127.5dB (presumably A‑weighted, though this is not stated) and the A‑D converters deliver a dynamic range of 112.5dB A‑weighted; the practical upshot is that even with the headroom that Smartgain leaves, the noise floor of the EVO 16 itself is always going to be way, way below that of your source. Input impedance in high‑impedance mode is 500kΩ, which is on the low side, but of course you can easily attach a DI box if you feel this is loading down your electric guitar. British audio company, EVO by Audient is delighted to announce the launch of the latest product in its range, EVO 16. A 24 in / 24 out Audio Interface, this newest release features eight award-winning EVO Preamps, advanced converter technology as well as the ingenious Smartgain feature which can be used on all 8 channels simultaneously, and continues to deliver on the EVO promise to ‘make recording easy’. Audient’s recently announced EVO 16 promises a glimpse of things to come for the interface market, but how well does it actually perform? See it and hear it as three Experts give their verdict… Evolving The Interface

EVO 16 Driver and Manual Downloads – Audient Help Desk EVO 16 Driver and Manual Downloads – Audient Help Desk

EVO 16’s audio performance is entirely respectable and will stand up to scrutiny in most situations. If you’re trying to record birdsong 10 metres away with an SM7B then you might be disappointed, but for everything else, EVO 16’s inputs are clean and detailed, and its headphone outputs are loud are clear with moderate loads. With 58dB of gain in hand, the inputs boast a noise figure of less than -127.5dBu (making the unit one of the quietest things in your input signal chain in most scenarios), and can tolerate a whopping +16dBu from line sources. Specs And PricingEVO 16’s 8 EVO Preamps provide 58dB Mic Gain, while its advanced converter technology offers a staggering 121dB dynamic range, providing professional grade audio performance across the board. Further options for the routing and configuration of inputs and outputs along with ultra-low latency monitoring functionality is provided by the EVO Mixer software, with both macOS and Windows operating systems supported. An audio interface that is bringing an awful lot more to the table than you’re paying for, and that allows you to concentrate on making music without being distracted by the technicalities."

EVO by Audient Home EVO by Audient Home

As with the smaller EVO products, EVO 16 comes with the Smartgain feature, which automatically sets the gain with the touch of a button. “The added bonus with EVO 16, is that it can automatically set the gain for all 8 channels at once, ideal for drummers who have multiple mic inputs and synth players needing lots of line inputs,” explains Andy. “Smartgain has been designed to take the guesswork out of setting gain. Not only does it save time for the user, but it eliminates the hassle for those working on their own, which means users can spend less time figuring out the tech and more time recording.” Most of the EVO 16’s I/O is on the rear panel, along with the USB‑C port and mains IEC inlet. Digital By Design There is also room for expansion with plenty of optical inputs and outputs, making it possible to record anything from just drums to a full band. Ensuring the studio can grow with time, there are both ADAT and SPDIF options to add up to 16 extra channels of mic preamps.

EVO 16 audio interface

If an item can not be repaired, a similar alternative product or cash discount (as defined in this policy) will be offered Powered by Audient's lightning fast Smartgain algorithm, Smartgain uses advanced peak analysis to automatically analyse and set your gain to the perfect level in under 20 seconds! All you need to do is set up your mics, engage Smartgain and the EVO 16 will take it from there.Set the gain for all 8 Mic preamps with the touch of a button! Future-proof your Setup In its default state, EVO seems designed to present the simplest and least intimidating array of controls possible, presumably so as not to put off newcomers. Delve a little deeper, however, and you’ll find that it offers a surprisingly comprehensive level of control, including a number of features that are more typical of expensive ‘professional’ interfaces. I’ve already mentioned the ability to apply a level offset to the Alt Speaker mix, for level‑matched speaker switching. That and all the other possible function button settings are all available simultaneously from the right‑hand side of the EVO panel, and many are further configurable from the Settings window. A particularly great feature is that you can choose whether you want the mono fold‑down to be routed to the left, right, or both speakers — single‑speaker mono is incredibly useful, and I can’t think of many other interfaces that make it easily accessible at a single button press. Routing is as flexible as you’re ever likely to need it to be, and unless you wanted to use the EVO 16 to drive a surround speaker setup, I can’t imagine feeling limited by its capabilities. One of the most unique and groundbreaking features of the interface is "Smartgain Mode". Once you start playing or singing with Smartgain Mode, the interface will automatically adjust the levels of your microphones, so you can avoid clipping and distortion. It will even match and adjust gain to both channels at the same time for added versatility. This makes the recording process easier than ever before, eliminating the need to adjust levels manually. This is perfect for beginners and professionals alike, streamlining your workflow. Detailed, warm sound with EVO mic preamps The EVO 16's optical inputs and outputs have you got covered for sessions of any size! Supporting both ADAT and SPDIF, you can add up to 16 channels of mic preamps to your setup, giving you plenty of options for expanding your recording capabilities down the line. Monitor your settings via the LCD Screen